My first thoughts were of Dorothy when I came across this sunflower yellow Quaker-style house askew in the Rose Kennedy Greenway in downtown Boston. Was there a dead Brahmin stuck underneath? Actually, all Oz allusions were accidental, according to Brooklyn artist Mark Reigelman. He created this art piece, "The Meeting House," from traditional building materials like Eastern white cedar and birch plywood to reference both the residential disruption caused by highway infrastructure projects and the healing qualities of communal civic structures.

As work and chores migrate to the web, I think places where people can gather and talk face to face and make progress as a community become even more appreciated. I've noticed that inviting lounges and shared worktables are super trendy, not just in expected places like hotel lobbies and coffee shops, but also in museums and even gyms. MoMA's new renovation, for example, adds 25-percent more public space, including a stunning second floor cafe and first floor lobby lounge. The stylish entrance space of my newly madeover Equinox gym fuses hotel lobby with high-tech workspace. Gym members give fingers and minds a workout while sitting at long shared work tables with electric outlets, rows of marble cafe tables or on stylish black upholstered chaise lounges. You could spend all day at the gym without breaking a sweat.

The irony is that people using these public work spaces often line up next to each other staring at glowing screens like toddlers in parallel play, communing without communicating. I call it public isolation. Perhaps if a large Meeting House landed in their midst they would put down their screens and talk to each other, which is why I think some people secretly love disasters. When you contrast Reigelman's colorful small house with the large impersonal glass skyscrapers in the distance, which one would you rather play in?